2016, the lunar Year of the Monkey (Knopf, $24.95), began for Patti Smith with a west coast concert tour, during which she saw her friend of forty years, Sandy Pearlman, succumb to a cerebral hemorrhage. She later watched the decline of another old friend, Sam Shepherd, and felt the acceleration of time as she turned seventy, couldn’t sleep, and took up walking at night. Smith survived all this and, exhibiting no symptoms of “dried-up poet syndrome,” recounts it with the same matter-of-fact yet slightly bemused tone that made her previous memoirs so engaging. Taking what comes, Smith turns it all into remarkable language; whether describing a deserted café that has “a J. G. Ballard kind of gone,” or a patch of blue wildflowers looking “as if it had been seeded by sky,” she is our great poet of ambience. Fittingly for a time permeated by “an atmosphere of artificial brightness with corrosive edges…[and] an avalanche of toxicity,” Smith moves frequently and without warning between daily life, memories, and dreams, intermittently receiving “transmissions” from a neon Dream Inn sign. Between dreams, she references a wide range of films, music, and books; makes the rounds of cafés; and snaps many of the Polaroids that complement this vivid, poignant, and deeply satisfying narrative.