In her ninth collection, Sharon Olds continues to write the powerful, passionate poetry that has made her voice distinctive. These poems are rooted both in a social consciousness that speaks out against injustice, and in her inexhaustible memories of growing up in an unhappy and violent home. But if One Secret Thing (Knopf, $16.95) reflects Olds’s outrage at war and her bitter ambivalence toward her mother, it also tempers these emotions with tolerance, appreciation for beauty, and humor. At her dying mother’s bedside, Olds notes how her mother’s “throat made a guttural/creek bed sound, like pebbly relief.” Olds is never less than frank about illness, death, and relationships. Above all, she renders the full range of physical experience, whether her subject is loneliness, the aging body, or a photo of someone else’s suffering.
Author, translator, and teacher—these three sides of Vladimir Nabokov are showcased in Verses And Versions: Three Centuries of Russian Poetry (Harcourt, $40). First proposed in the 1950s, the idea of a volume of Nabokov’s English renderings of Russian poetry is finally a reality, co-edited by Nabokov’s biographer, Brian Boyd, and Stanislav Shvabrin. In addition to generous selections (in the original Russian and in English) of the works of Pushkin, Lermontov, Blok, Fet, and Mandelstam, among other 18th- through 20th-century poets, this anthology also includes Nabokov’s translations of several French poets, his own English lyrics, and essays on poetry, poets, and the art of translation which, as he noted in a poem to Pushkin, might at best come up with “roadside prose--/All thorn, but cousin to your rose.”