Black Country Music: Listening for Revolutions (American Music Series) (Hardcover)
After a century of racist whitewashing, country music is finally reckoning with its relationship to Black people. In this timely work—the first book on Black country music by a Black writer—Francesca Royster uncovers the Black performers and fans, including herself, who are exploring the pleasures and possibilities of the genre.
Informed by queer theory and Black feminist scholarship, Royster’s book elucidates the roots of the current moment found in records like Tina Turner’s first solo album, Tina Turns the Country On! She reckons with Black “bros” Charley Pride and Darius Rucker, then chases ghosts into the future with Valerie June. Indeed, it is the imagination of Royster and her artists that make this music so exciting for a genre that has long been obsessed with the past. The futures conjured by June and others can be melancholy, and are not free of racism, but by centering Black folk Royster begins to understand what her daughter hears in the banjo music of Our Native Daughters and the trap beat of Lil Nas X’s “Old Town Road.” A Black person claiming country music may still feel a bit like a queer person coming out, but, collectively, Black artists and fans are changing what country music looks and sounds like—and who gets to love it.
Francesca T. Royster is a professor of English at DePaul University, author of Sounding Like a No-No: Queer Sounds and Eccentric Acts in the Post-Soul Era and Becoming Cleopatra: The Shifting Image of an Icon, and coeditor of “Uncharted Country,” a special issue of the Journal of Popular Music Studies on race and country music.
— Daphne A. Brooks
Black Country Music holds within it vital history and also serves as a vessel for Francesca Royster's gentle, reliable, and immersive storytelling, weaving an expansive narrative to hold up the untold and undertold stories of the music-makers at the heart of America's many sounds.
— Hanif Abdurraqib
Francesca Royster’s extraordinary book puts Black country artists and audience in conversation with Black thinkers Audre Lorde, Claudia Rankine, bell hooks, and Camille Dungy, among others, to center the radical work that is revealed as Royster listens for, and finds, strains of revolution within Black country. Her work at the intersection of Afrofuturism and Black country is necessary reading for all interested in the evolution of Black aesthetics.
— Alice Randall
Francesca Royster gets to the heart of the matter with this book. She plots the journey of self-acceptance and defiance that has marked every one of our journeys in country music.
— Rissi Palmer
An original, timely and much-needed entry in the long-overdue national conversation on representation and accountability in the country music industry.
— Los Angeles Times
Black Country Music delves deeply into the tensions, pleasures, and contradictions that Royster, as a Black queer woman, finds in country music as a genre and a cultural signifier. The book weaves history, criticism, and memoir into an elegant narrative that challenges assumptions about what country music can be.
— Chapter 16
Black Country Music is an astounding work of musical history and cultural reckoning...This is a must-read for anyone who enjoys country music, music writing, Black history, and Afrofuturism.
— Bearded Gentlemen Music